Song and Circumstance

aw_product_id: 
36483976580
merchant_image_url: 
merchant_category: 
Books
search_price: 
5.00
book_author_name: 
PhD Sytze Steenstra
book_type: 
Paperback
publisher: 
Bloomsbury Publishing PLC
published_date: 
30/05/2010
isbn: 
9780826441683
Merchant Product Cat path: 
Books > Entertainment > Music > Composers, musicians & groups
specifications: 
PhD Sytze Steenstra|Paperback|Bloomsbury Publishing PLC|30/05/2010
Merchant Product Id: 
9780826441683
Book Description: 
This is the first book to offer a full account of Byrne's sprawling artistic portfolio. The account of Byrne's career, while told in roughly chronological order, is ordered by choosing a specific abstract approach, or a combination of two approaches, for each chapter, discussing the parallels and contradictions between such approaches to benefit the interpretation of Byrne's art. This is the first book to offer a full account of Byrne's sprawling artistic portfolio. David Byrne's work functions almost completely through the mass media - in popular music, experimental theatre, film, television, fine art and writing. The underlying connection is a conceptual approach to both high and popular art. Byrne has always accompanied his work with a stream of conceptual reflections, by developing a loose theoretical patchwork of ideas on music, ritual, culture and myth, reading widely in anthropology, socio-biology, neurology, ethnomusicology, art theory, media theory, comparative mythology and more. Based on the fame he gained with his band Talking Heads (1977-circa 1989), Byrne is able to enter into collaborations with many artists, some of popular fame - Brian Eno, Jonathan Demme - many known best in more specialized artistic circles - Joseph Kosuth (conceptual artist), Caetano Veloso (Brazilian singer/songwriter of Tropicalismo fame). The map of collaborations, including the casual and incidental ones, reveals an ongoing effort to combine avant-gardism with popular appeal. While Byrne developed his career in a pragmatic way, grasping opportunities for collaboration when they presented themselves, this theoretical patchwork is a constant factor. The account of Byrne's career, while told in roughly chronological order, is ordered by choosing a specific abstract approach, or a combination of two approaches, for each chapter, discussing the parallels and contradictions between such approaches to benefit the interpretation of Byrne's art. As a result, the fertile conceptual brew that characterizes Byrne's way of making art is present from the beginning, while each chapter adds to a thorough insight.

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