Shows & Exhibitions

The Renaissance Society at the University of Chicago will appoint Myriam Ben Salah as Executive Director and Chief Curator effective September 15, 2020. Ben Salah, a Tunisian curator and writer, is currently co-organizing Made in L.A. 2020 at the Hammer Museum and The Huntington Library. She follows Solveig Øvstebø, who led the museum from 2013 until 2020, and will be the Ren’s third leader since 1973. 

Taipei Fine Arts Museum (TFAM) is announces Sakuliu Pavavaljung as the sole artist, representing Taiwan at the 59th Venice Biennale in 2021. Born in 1960 Sakuliu Pavavaljung has been highly acclaimed for his practice as a socially engaged artist. Growing up in a family of artisans of the Paiwan people in the village of Tavadran, Pingtung County, his art is not limited to any one form. He excels at painting, sculpture, architecture and installation.

“Containing, restraining, reforming, hurting, compressing, binding, transforming a lumpy shape into a clean smooth line,” is how American artist Christina Ramberg (1946–1995) once described the drawings of corsets in her sketchbooks. Ramberg was one of the most intriguing painters to emerge within a generation of Chicago Imagists. She left a significant body of comic, formally elegant, erotically sinister paintings. 

Pablo Bronstein: Conservatism, or The Long Reign of Pseudo-Georgian Architecture anchors around the work of internationally renowned artist Pablo Bronstein, and his exploration of "ubiquitous" neo-Georgian developments as an exemplar of British vernacular. He has created 50 new drawings of buildings constructed during the second half of the 20th century in an ostensibly neo-Georgian style.

Frieze London and Frieze Masters returns to The Regent's Park, from October 5 through 8.More than 160 leading galleries from 31 countries will showcase ambitious presentations by international emerging and established artists, enhanced by a curated non-profit programme of artist commissions, films and talks.

For her first solo exhibition in the Nordic countries, Belgian visual artist Ana Torfs brings together two major installations, The Parrot & the Nightingale, a Phantasmagoria (2014) and Legend (2009). Toast, an iconic photograph she made in 2003, functions as a connecting element between the two installations. On the occasion of this exhibition, Torfs made a two-sided poster in collaboration with graphic designer Jurgen Persijn.

It’s dark. In the glow of the spotlights that illuminate the artworks, a black and yellow synthetic surface shimmers. The walls, floor, and ceiling – everything is covered in a smooth, plastic film. It continues in the centre of the room, taking the shape of an enormous, blow-up worm. For the exhibition I AM A PROBLEM, director and set designer Ersan Mondtag has created a dark, yet tantalizing parallel universe. In his spectacular staging of the MMK 2’s exhibition spaces, Mondtag has set in motion a dialogue between works from the museum’s collection, making them the protagonists of the narrative.

D MUSEUM presents PLASTIC FANTASTIC, a unique exhibition showcasing designs born from the artistic imagination of international designers and the unlimited possibilities of plastic, from September 14, 2017 to March 4, 2018. PLASTIC FANTASTIC illustrates the magical journey of plastic, the substance sometimes described as the 20th century's miracle material, as it entered the public realm and brought such wide-ranging transformation to our everyday lives

Brossa Poetry is a survey of the work of the Catalan poet Joan Brossa—largely visual and performative, but above all the work of a poet—from three main angles: orality, the performative and anti-poetry. From his early books to his final visual experiments, the show includes theatre, cinema, music, action art and gestures in which he displayed great originality.

For her first institutional solo exhibition in London, Katharina Grosse presents a new work, This Drove my Mother up the Wall, painted in situ at the South London Gallery. Grosse’s large scale and site-specific works engulf both interior and exterior spaces, unhindered by the traditional boundaries of the pictorial field.


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