An inside look into the lives of South Africans with albinism; a story of the challenges and the triumphs of living in a country where they are largely marginalized by others who struggle to place...
SHAMANISM: TRIBUTARIES OF THE BAIKAL
Preview of Stonedog's on-going film about Shamanism, which was inspired by Director Dasha Redkina's stay with a Siberian Shaman a few years ago. This film features, among others, an authoritative interview with Professor Keith Howard of the School of Oriental and African Studies, London (SOAS), who establishes Siberia as the root of Shamanism, and illuminates its extraordinary tracks across the globe. He also defines and dissects this ancient metaphysical practice, astutely establishes why it is a religion, and pinpoints its influences on the major religions. A leading expert in Shamanism, Prof. Howard offers deep insight into the survival of this religion, during and after the crushing Soviet years, its elastic adaptations, and its future prospects vis-a-via an ever-changing, material world and the pressures of tourism.
This film promises to be the most profound, objective survey of Shamanism every made.
*The train footage running through this promo was shot by Dasha Redkina during her first visit to Lake Baikal.
Produced by Ishmael Annobil
Directed by Dasha Redkina
Art Direction by Marisa Rinaldi
Filmed and Edited by Fionn McSherry and Ishmael Annobil
Sound by Marco Iavarone & Nikos Nikolalaios
Executive Producer: Stonedog Productions
NB: Images used in this promo are for illustrative purposes only and are not necessarily owned or claimed as owned by Stonedog Productions. This is an on-going project.
Related Podcasts
|
Directed by Chad Davis "Making it" in Hollywood is a Documentary following the life of people in Hollywood chasing there dreams. This film will show you people who have failed and people who have had success in the... |
2004 BBC Namibia - Genocide and The Second Reich documentary commemorating 100 years since the Herero and Nama genocide. |
Mounir Fatmi's oeuvre has often displayed a fraught relationship to architecture, addressing the dystopic effects of the modernist experiment or arrogant contemporary displays of power and... |